Here is how it’s shaping up. Part I and II are essentially done. Part III is coming along. The Tones of Creation are pretty interesting. I need to come up with some simplified metaphors in each section for the novice to be able to grasp it. The tables are still pretty cool to look at but maybe not so easy for most people. The page numbers don’t convert well to Word Press Block Format but of course they will be perfect in the book. As you can see I’ve kept it to 125 pages.
I don’t know. Maybe someone will understand what I’m getting at after I’m dead…posthumously. LOL.
Table of Contents
Introduction 7
Part I
- Sacred Space & Time Carved in Stone 8
- The Mayan 13 Moons and Our Ancestral DNA 11
- Our Extraterrestrial and Earth Ancestors 13
- What is the Definition of Time? 17
- The goddesses and gods are very Acidic and Geometric! 20
- Archetypes 27
- A Baseball Metaphor 32
- The Gap Kin Table 36
- Table 1–The G.A.P. Kin 40
- Analysis of the GAP Kin Table 43
- Table 2–What is Amino Acid Sequencing in the Tzolkin?
- – Theme-plex Translated to DNA Codons 47
- Analysis of Table 2 & 3 75
- Table 3–The Primordial Dynamic of Crossover 76 Polarity
- Table 4–Binary Triplet Configuration & 80
- The Square of Eight
- Analysis of Binary Triplet Configuration 91
- Table 5-The Tzolkin as Binary Computer Code 82
- Table 6– I Ching Hexagram Nucleotides Converted to
- Computer Binary Code. Note Alpha & Omega Points 94
- The 0-19 Code 95
Part 2
- Epigenetics is Illuminated 101
- Protein Folding is Orderly 102
- Dimensions 4, 5, and 6 102
- Holograms & Holomovement 103
- The Physics of This Thing 109
- Implicate and Explicate Order 110
- My TSR Equations 111
- Correspondences 115
- The Tzolkin & Synchronicity 118
- Tzolkin as Synchro-meter 124
- What are the Tones of Creation? 125
- Table 7-I Ching Music 126
- Analysis of Table 7 128
- Music and the Creative Tones 125
Epilogue
Bibliography